The Cleveland Museum of Art
Collection Online as of April 25, 2024
Helmet Mask
early to mid-1900s
Overall: 34.9 cm (13 3/4 in.)
Gift of Katherine C. White 1975.152
Location: 108A Sub-Saharan
Description
This type of helmet was worn in rituals demonstrating a boy’s transition from one age group to the next, prior to his actual initiation into the secret Poro society. The pre-initiates were viewed as unknowing and anxious oxen, so the horns on such helmets may refer to those of horned cattle. The female figure alludes to women’s supernatural powers, which assure the welfare of Poro members.- 1963J. J. Klejman, New York, NY?–1975Katherine C. White [1929-1980], Gates Mills, OH, by purchase from the above1975–The Cleveland Museum of Art by giftProvenance Footnotes1 Recorded on an undated info sheet (c. 1969) in curatorial file2 1966 – 1970 Lived in Gates Mills, OH (articles also mention Bratenahl, OH). Known as Katherine White Reswick, Katherine C. White (Reswick), Mrs. James B. Reswick
- Fagg, William. African Tribal Images; the Katherine White Reswick Collection. Cleveland, OH: Cleveland Museum of Art, 1968. No. 22Lee, Sherman E. “The Year in Review for 1975.” The Bulletin of the Cleveland Museum of Art 63, no. 2 (1976): 31–71. Reproduced: p. 64, no. 29; mentioned: p. 66, no. 29. www.jstor.orgPetridis, Constantijn. South of the Sahara: Selected works of African Art. Cleveland: Cleveland Museum of Art, 2003. Reproduced: p. 44-45, color plate 7Petridis, Constantine. “Buffalo Helmets of Tussian and Siemu Peoples of Burkina Faso.” African Arts 41, no. 3 (2008): 26–43. Reproduced: p. 35; mentioned: p. 38. www.jstor.orgCleveland Museum of Art. The CMA Companion: A Guide to the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2014. Mentioned and reproduced: P. 30Gagliardi, Susan Elizabeth, and Constantijn Petridis. Senufo Unbound: Dynamics of Art and Identity in West Africa. 2014. Reproduced: pp. 174-5, fig. 127.Gagliardi, Susan Elizabeth, and Constantijn Petridis. Senufo Unbound: Dynamics of Art and Identity in West Africa. Cleveland: The Cleveland Museum of Art, 2015. pp. 174-5, fig. 127"Art on View: Art and Identity in West Africa." Tribal Art 19, no. 74 (Winter 2014): 70. Reproduced: p. 70Gagliardi, Susan Elizabeth and Constantine Petridis. "Senufo Unbound: Dynamics of Art and Identity in West Africa." African Arts 48, no. 1 (Spring 2015): 6-23. Reproduced: p. 15, fig. 11
- Senufo: Art and Identity in West Africa. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 22-May 31, 2015); Saint Louis Art Museum, St. Louis, MO (June 28-September 27, 2015); Musée Fabre, Montpellier, France (November 28, 2015-March 6, 2016).The Cleveland Museum of Art (2/22/15-5/31/15) Saint Louis Art Museum (6/28/15/-9/27/15) Musée Fabre, montpellier France (11/28/15-3/6/16) "Senufo: Art Identity in West Africa;CMA 1976: "Year in Review 1975," CMA Bulletin LXIII Feb., 1976), p. 66, no. 29, repr. p. 64CMA 1968: "African Tribal Images: The Katherine White Reswick Collection," cat. no. 22, repr.
- {{cite web|title=Helmet Mask|url=false|author=|year=early to mid-1900s|access-date=25 April 2024|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/1975.152