The Cleveland Museum of Art
Collection Online as of December 19, 2025

Roadside Stand, Vicinity Birmingham, Alabama
1936
(American, 1903–1975)
Image: 19 x 23.7 cm (7 1/2 x 9 5/16 in.); Matted: 40.6 x 50.8 cm (16 x 20 in.)
Wishing Well Fund 1975.36
© Walker Evans Archive, The Metropolitan Museum of Art
Location: Not on view
Description
This image reflects Evans’s fascination with vernacular architecture and handmade signs, which he collected. It is an urbane version of a penny postcard, a work with humor but also sophistication. Evans confounds the perspective we expect to see. Instead of objects receding into space, there are flat layers that resemble a stage set: the boys holding watermelons in the foreground, the men and curtsying girl in the middle ground, and the truncated figure in white occupying center stage in the extreme background. They all perform, providing a semicomic but true-to-life vision of roadside America.- Cleveland Museum of Art, Tom E Hinson. Catalogue of Photography. Cleveland, OH: Cleveland Museum of Art, 1996. Reproduced: P. 150
- From Riches to Rags: American Photography in the Depression. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 13-December 31, 2017).Oxford, Museum of Modern Art, Sept. 18 - Oct. 31, 1976: "Walker Evans Photographs." Catalogue no. 37.
- {{cite web|title=Roadside Stand, Vicinity Birmingham, Alabama|url=false|author=Walker Evans|year=1936|access-date=19 December 2025|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/1975.36