The Cleveland Museum of Art
Collection Online as of February 12, 2025

Silk curtain from the Alhambra palace
1300s
Overall: 438.2 x 271.8 cm (172 1/2 x 107 in.)
Leonard C. Hanna Jr. Fund 1982.16
Location: not on view
Description
This is one of two of the largest, most complete, and most ornate curtains to survive from the 1300s when it presumably hung in the royal Alhambra Palace in Granada, the last Muslim stronghold in Spain. Its style, artistic vocabulary, and harmonious proportions reflect the magnificent wall decoration in the Alhambra. The motto of the ruling Nasrid dynasty, "There is no conqueror but God," is inscribed in the end borders and central panel. The inscribed striped silk forming the central panel is more worn, suggesting that it was recycled, most likely during the 1300s.- ?-1982(Miguel Rodriguez-Acosta, Granada, Spain, sold to the Cleveland Museum of Art)1982-The Cleveland Museum of Art, Cleveland, OH
- Partearroyo, Cristina. "Spanish-Muslem Textile," Bulletin de Liaison du Centre international d'etude des textiles anciens, no. 45, pt. 1 (1977), pp. 78-85. Mentioned: pp. 78-85; Reproduced: p. 79, figs. 1-2; p. 85, fig. 3Lee, Sherman E. “Year in Review for 1982.” The Bulletin of the Cleveland Museum of Art, vol. 70, no. 1, 1983, pp. 3–55. Reproduced: no. 73, p. 7; Mentioned: no. 73, p. 53 25159799Wardwell, Anne E. “A Fifteenth-Century Silk Curtain from Muslim Spain.” The Bulletin of the Cleveland Museum of Art, vol. 70, no. 2, 1983, pp. 58–72. Reproduced: cover, p. 60, fig. 4; Mentioned: p. 72, no. 4 25159802Martin Nagy, Rebecca. Textiles in Daily Life in the Middle Ages. Cleveland, OH: The Cleveland Museum of Art in cooperation with Indiana University Press, 1985. fig. 26, pp. 40-41Dodds, Jerrilynn Denise. Al-Andalus: The Art of Islamic Spain. New York: Metropolitan Museum of Art, 1992."1991 Annual Report." The Bulletin of the Cleveland Museum of Art 79, no. 6 (1992): 155-231. Mentioned: p. 173 www.jstor.orgJayyusi, Salma Khadra, and Manuela Marín. The Legacy of Muslim Spain. Leiden: E.J. Brill, 1994. Reproduced: fig. 14Pérez Higuera, Teresa. Objetos e imagenes de al-Andalus. Madrid: Instituto de Cooperación con el Mundo Arabe, 1994. Reproduced: pp. 98-99Baker, Patricia L. Islamic Textiles. London: British Museum Press, 1995. Reproduced: p. 6Rothstein, Natalie. "Textile: Patterns: Loom-made compound weaves, Lampas" in The Dictionary of Art, vol. 30, pp. 550-554. J. S. Turner, ed. New York: Grove, 1996. Mentioned: pp. 550-554; Reproduced: p. 552, pl. VII, 1, p. 553Ghereh: international carpet & textile review, no.20 (Summer 1999). Comparative material reproduced: pp. 123-124Jacobs, Michael, and Francisco Fernandez. Alhambra. London: Frances Lincoln, 2000. Mentioned and Reproduced: pp. 34-35Alves, Adalberto. A herança árabe em Portugal. Lisboa: CTT Correios, 2001. Reproduced: p. 28Irwin, Robert. The Alhambra. London: Profile, 2004. Reproduced: p. 120, no. 14Highet, Juliet. "Silks from Islamic Lands." The Asian Art Newspaper: Monthly for Collectors, Dealers, Museums and Galleries 17, issue 5 (March 2014): 16-18. p. 16Mackie, Louise W. Symbols of Power: Luxury Textiles from Islamic Lands, 7th-21st Century. Cleveland; New Haven: Cleveland Museum of Art; Yale University Press, 2015. Reproduced: P. 166, 196, fig. 5.28; Mentioned: P. 197-198Clarke, Sarah E. Braddock, and Ryoko Yamanaka Kondo. Byzantine Silk on the Silk Roads: Journeys between East and West, Past and Present. London ; New York : Bloomsbury Visual Arts, 2022. Reproduced: p. 93, fig. 7.6
- Luxuriance: Silks from Islamic Lands, 1250–1900. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 14, 2013-June 23, 2014).Al-Andalus: The Art of Islamic Spain. Alhambra, Granada, Spain (March 18-June 7, 1992); The Metropolitan Museum of Art, New York, NY (July 1-September 27, 1992).
- {{cite web|title=Silk curtain from the Alhambra palace|url=false|author=|year=1300s|access-date=12 February 2025|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/1982.16