The Cleveland Museum of Art
Collection Online as of April 25, 2024
Ten Bamboo Studio Collection of Calligraphy and Painting: Round Fans
1633
printed by
(Chinese, c. 1584–1674)
Open and extended: 23.7 x 27.9 cm (9 5/16 x 11 in.)
Edward L. Whittemore Fund 1984.45.1.1
Location: not on view
Description
Color printing reached a level of perfection in the early 1600s, as seen in this Ten Bamboo Studio Collection of Calligraphy and Painting and the Mustard Seed Garden Manual of Painting (printed 1679 and 1701). The painterly quality, precision in registering (aligning) the woodblocks, and harmonious colors made them the most successful color print editions in Chinese history. Both editions were printed and compiled in Nanjing, spread nationwide, and had a great impact on the arts in Japan and Korea.- ?-1984(Donald J. Wineman, New York, NY, ?-1984, sold to the Cleveland Museum of Art)1984-The Cleveland Museum of Art, Cleveland, OH, 1984-present
- Wilson, J. Keith. "The Fine Art of Drinking: The Chinese Silversmith Zhu Bishan and His Sculptural Cups." The Bulletin of the Cleveland Museum of Art 81, no. 10 (1994): 380-401. Reproduced: p. 391; Mentioned: p. 391, 400 www.jstor.org
- "Wooblock Illustration in Imperial China," Allen Memorial Art Museum, March 7-April 30, 1989CMA 1985: "Year in Review 1984," Bull., 72 (April 1985), p. 207, no. 177Sören Edgren, Tsuen-hsuin Tsien, Wang Fang-yu, and Wan-go H. C. Weng, Chinese Rare Books in American Collections (exh. cat., China House Gallery, New York, October 20., 1984-January 27, 1985), cat. 35
- {{cite web|title=Ten Bamboo Studio Collection of Calligraphy and Painting: Round Fans|url=false|author=Hu Zhengyan|year=1633|access-date=25 April 2024|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/1984.45.1.1