Description
Taken in his later campaign of photographing at Versailles during the 1920s, Atget magically--through his ingenuous composition and use of light and shade--captured the pathos and expressive vigor of Gaspard Marsy’s 1675-77 sculpture from a sketch provided by the painter Charles Le Brun. This baroque, gilded metalwork depicts Enceladus, the mightiest of the giants in Roman mythology. Jupiter cast down and crushed the giant under a mound of rock after he dared to attack Mount Olympus to dethrone the gods. Enceladus, vanquished by his temerity and pride, clings to the stones with all the strength of his half-buried body.
Eugène Atget
Eugène Atget French, 1857-1927
Relatively unknown to the public during his lifetime, Eugène Atget is today an icon -- one of the most celebrated and influential photographers of the 20th century. Born near Bordeaux, Atget first directed his efforts to painting and the stage before turning to photography shortly before 1890. He is best known for his documentary scenes of Paris and Versailles, but he photographed a number of other sites as well. Atget viewed his work as a historical and aesthetic record, regarding it as documentation for use by artists. Indeed, several artists are known to have painted from his images.
Using relatively unsophisticated, even outdated equipment, Atget achieved a view of French architecture and culture that is both personal and factual. Along with the rediscovery of the images of Mathew Brady in the early 20th century, the recognition of Atget's artistic accomplishments shortly before his death by Berenice Abbott, Man Ray, and others helped turn photographers away from the mannered style of pictorialism toward the visual and technical clarity of modernism. Marked by a selective and highly individual method, his is among the most widely shown, published, and recognized work in photography today. T.W.F.