The Cleveland Museum of Art

Collection Online as of April 20, 2024

Water Village

Water Village

1570
Location: not on view

Description

In the autumn of 1570, Wen Boren painted this seemingly unemotional scene of low-lying marshlands with a chain of rounded mountains in the background. A fishing boat is nestled on the shore near the village. Although paths and bridges traverse the landscape, only two people are visible in the stillness.

From the restrained atmosphere of this landscape, one would never guess that Wen Boren was known as the “bad boy” of the Wu School for his explosive temper. As a younger man, he was even embroiled in a contentious lawsuit with his own uncle, Wen Zhengming (1470–1559), a master of Ming dynasty painting with whom he had trained. The ideal of the scholar-painter, or literati, was that an artist’s moral character is reflected in his paintings, so there was great incongruity between Wen Boren’s difficult personality and his restrained landscapes. A contemporary, Wang Shizhen, wrote this about him:

"This gentleman is prone to behave odiously and screamed accusations at people. How is it possible for him to carry in his bosom such a wealth of scenic wonders?"

Who knows what effort it took to subdue his fractious spirit to project an image of coolness and refined taste in his paintings?
  • ?-1975
    (Cheng Qi 程琦 [1911–1988], Tokyo, Japan, sold to Mr. and Mrs. Kelvin Smith)
    1975-1985
    The Kelvin Smith Collection, Cleveland, OH, given by Mrs. Kelvin [Eleanor Armstrong] Smith [1899-1998] to the Cleveland Museum of Art
    1985-
    The Cleveland Museum of Art, Cleveland, OH
  • Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980. Reproduced: cat. no. 186, p. 239
    Suzuki, Kei 鈴木敬. Chūgoku kaiga sōgō zuroku [中國繪畫總合圖錄 = Comprehensive Illustrated Catalog of Chinese Paintings]. Tōkyō: Tōkyō Daigaku Shuppankai, 1982. Reproduced: #A22-093
  • Chinese Gallery 240a Rotation – August 2016. The Cleveland Museum of Art (organizer) (August 1, 2016-February 6, 2017).
    A Private World: Japanese and Chinese Art from the Kelvin Smith Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 14-November 13, 1988).
    Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).
  • {{cite web|title=Water Village|url=false|author=Wen Boren|year=1570|access-date=20 April 2024|publisher=Cleveland Museum of Art}}

Source URL:

https://www.clevelandart.org/art/1985.370