The Cleveland Museum of Art
Collection Online as of March 29, 2024
Scots Guards at Edinburgh Castle
1846
(British, 1802–1870)
and Robert Adamson
(British, 1821–1848)
Image: 14 x 19.5 cm (5 1/2 x 7 11/16 in.); Matted: 35.6 x 45.7 cm (14 x 18 in.)
Location: not on view
Description
Painted group portraits required each individual to sit for the artist, whereas the camera captured a detailed likeness of each face at once. Photography became an incredibly useful tool for artists tasked with producing group portraits. It was Hill’s desire to paint a contemporary historical event requiring the accurate depiction of more than 450 ministers that led him to contact Adamson, who had just become Edinburgh’s first professional photographer making paper prints. This portrait shows members of the 92nd (Gordon Highlanders) Regiment of Foot.- David Octavius HillRoyal Scottish Academy, EdinburghDavid Octavius Hill; Royal Scottish Academy, Edinburgh
- Turner, Evan H. "The Year in Review for 1987." The Bulletin of the Cleveland Museum of Art 75, no. 2 (1988): 30-71. p. 67, no. 64 25160017Cleveland Museum of Art, Tom E Hinson. Catalogue of Photography. Cleveland, OH: Cleveland Museum of Art, 1996. Reproduced: P. 196
- Cheating Death: Portrait Photography’s First Half Century. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 22, 2016-February 5, 2017).CMA, July 10 - August 19, 1990: "The Camera," Classroom Level, no exhibition catalogue.The Year in Review for 1987. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 24-April 17, 1988).
- {{cite web|title=Scots Guards at Edinburgh Castle|url=false|author=David Octavius Hill, Robert Adamson|year=1846|access-date=29 March 2024|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/1987.17