The Cleveland Museum of Art
Collection Online as of December 21, 2025

White Mozart, Upside Down and Backwards
1986
(American, 1932-)
Overall: 100.5 x 61.5 cm (39 9/16 x 24 3/16 in.)
John L. Severance Fund 1988.27
© Dorothea Rockburne / Artists Rights Society (ARS), New York
Location: Not on view
- Sims, Lowery Stokes. The Persistence of Geometry: Form, Content, and Culture in the Collection of the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2006. Mentioned and reproduced: P. 26-27, no. 126
- The Persistence of Geometry: Form, Content and Culture in the Collection of the Cleveland Museum of Art. Museum of Contemporary Art Cleveland (MOCA), Cleveland, OH (June 9-August 20, 2006).MOCA Cleveland (6/9/2006 - 8/20/2006): "The Persistence of Geometry: Form, Content and Culture in the Collection of the Cleveland Museum of Art", no. 126, p. 123, color repr. p. 26.The Year in Review for 1988. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 1-May 14, 1989).Andre Emmerich. New York, NY. Prismacolor on Canson mi-Tientes mounted on Ragboard. 1986.
- {{cite web|title=White Mozart, Upside Down and Backwards|url=false|author=Dorothea Rockburne|year=1986|access-date=21 December 2025|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/1988.27