The Cleveland Museum of Art
Collection Online as of April 24, 2024
Hotei with Daoist Immortals: Immortal Riding Carp
late 1600s-early 1700s
(Japanese, 1653–1721)
Painting only: 119.6 x 51 cm (47 1/16 x 20 1/16 in.); Including mounting: 210.2 x 68.6 cm (82 3/4 x 27 in.)
Mr. and Mrs. William H. Marlatt Fund 1989.8.1
Location: not on view
Description
Hotei was a Chan (Japanese: Zen) monk living in China during the 900s who, in the 1300s, became a legendary figure in Japan. At that time a popular cult praising him sprang up, extending beyond Zen to other religious communities. This rare triptych embraces a central Zen icon with flanking Daoist images, thereby suggesting the compatibility, rather than the exclusivity, of these two creeds. Hotei also enjoys popularity in Japan as a kind of genre, or folk figure, which explains his mirthful expression in Japanese paintings. The Daoist figures in contrast appear eccentric and foreign-looking, in keeping with Daoist lore. When these paintings came to the museum their appearance was compromised by poor quality textile mountings and cracked paper surfaces deserving of restoration. The fact that these scrolls constituted an integral set that properly had to be shown as a unit heightened the need to stabilize their condition and improve their presentation for museum visitors. A complete remounting of each scroll occurred following the cleaning of the paper surfaces and the repair of the lifting surface areas. No inpainting was done, thereby preserving the original ink values and brushstrokes.- ?–1989(Eastern Fine Arts, New York, NY, sold to the Cleveland Museum of Art)1989–The Cleveland Museum of Art, Cleveland, OH
- Japanese Gallery 235 Rotation - January-July 2017. The Cleveland Museum of Art (January 9-July 10, 2017).
- {{cite web|title=Hotei with Daoist Immortals: Immortal Riding Carp|url=false|author=Kyūseki Tomonobu|year=late 1600s-early 1700s|access-date=24 April 2024|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/1989.8.1