The Cleveland Museum of Art

Collection Online as of December 22, 2025

Violet Romer as Psyche, III

1915

Edward Weston

(American, 1886–1958)

Image: 23 x 16.7 cm (9 1/16 x 6 9/16 in.); Mounted: 45.7 x 35.6 cm (18 x 14 in.); Paper: 23.8 x 17.3 cm (9 3/8 x 6 13/16 in.)

John L. Severance Fund 1997.132

Location: Not on view

Description

While Weston’s work is usually viewed as the epitome of modernist photography, in his early career he worked in a pictorialist manner. Influenced by Clarence H. White, Karl Struss, and particularly Anne Brigman, he typically used a soft-focus lens and scrim lighting to soften edges and create spatial and planar ambiguity, and he preferred symbolist subject matter in his work until 1915-16. Weston’s interest in photographing dancers—a theme often explored by Brigman—likely developed after meeting her in 1915. That year he photographed several dancers, including Violet Romer, of whom at least 22 photographs exist, including 4 in her title role for The Psyche Myth. During this period he submitted a portfolio to the prestigious London Salon of Photography that resulted in a series of articles, bringing the young photographer his first favorable critical response.

Franklin, David. The Cleveland Museum of Art. London: Scala Arts & Heritage Publishers Ltd., 2012. Reproduced: p. 66 - 67
Shadows and Dreams: Pictorialist Photography in America. The Cleveland Museum of Art (organizer) (September 5, 2015-January 17, 2016).
Icons of American Photography: A Century of Photographs from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 24-September 16, 2007).
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Source URL:

https://www.clevelandart.org/art/1997.132