The Cleveland Museum of Art
Collection Online as of May 6, 2024
Mater Dolorosa (The Virgin Mary Mourning)
1897
(French, 1856–1929)
Framed: 73.7 x 59.1 x 17.8 cm (29 x 23 1/4 x 7 in.)
John L. Severance Fund 2002.54
Location: not on view
Description
This sculpture was originally part of a project for a Calvary depicting Mary Magdalene, the Virgin Mary, and Christ on the Cross; Monfreid may or may not have completed the design. He intended to execute the piece in ceramic, as suggested by the Mater Dolorosa's shadowy browns, blues, and purples that resemble ceramic glazes. The intensity of the unrealistic colors, as well as the emotional nature of the religious subject, characterizes this rare example of Nabis sculpture. Led by Paul Gauguin, Paul Serusier, Pierre Bonnard, and Édouard Vuillard during the 1890s, the Nabis—Hebrew for "prophet"—proclaimed spiritual and sacred values. They reacted against the Impressionists, who they thought were mundane and superficial. The inscription at the upper right includes the artist's signature as well as a dedication to Doctor Gouzer, a mutual friend of Monfreid and Gauguin and to whom Monfreid gave Mater Dolorosa in 1897. During his intense twelve-year correspondence with Monfreid, Gauguin praised the artist for giving the work to Gouzer, noting "Your Calvary is a true revelation: it is the masterwork of your life."- Cleveland Museum of Art, “Recent Acquisitions Press Release,” June 25, 2002, Cleveland Museum of Art Archives. archive.orgPicard, Pascale. Monfreid Sous le Soleil de Gauguin. Cinisello Balsamo: Silvana Editorial, 2022. Mentioned and reproduced: P. 86-87, no. 46
- George Daniel de Monfreid (1856-1929). An Artist Apart. Musée d'art Hyacinthe Rigaud, Perpignan cedex, France (organizer) (June 25-November 6, 2022).
- {{cite web|title=Mater Dolorosa (The Virgin Mary Mourning)|url=false|author=Georges-Daniel de Monfreid|year=1897|access-date=06 May 2024|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/2002.54