The Cleveland Museum of Art
Collection Online as of April 19, 2024
Album of Daoist and Buddhist Themes: Procession of Daoist Deities: Leaf 14
1200s
(1127-1279)
Sheet: 34 x 38.4 cm (13 3/8 x 15 1/8 in.)
Location: not on view
Did You Know?
A baby is nestled in a blossom on the tray that Field Marshal Gao is holding.Description
These six martial figures are Field Marshals in the Daoist pantheon. In the lower row from left to right are Field Marshals Li Feng 李封, Tie Tou 鐵頭, Gao Tong 高銅, and Wang Tie 王鐵. Field Marshal Wen Xiong 溫瓊 is on the top left. The inscription identifying the final field marshal has been trimmed off, so his identity is unclear.- Wang Hui 王翬 [1632–1717]Li Jiale 李嘉樂 [jinshi of 1863]Zhu Hang 朱沆 [active 19th century]1910–?Dr. F. R. (Fredrik Robert) Martin [1868–1933], Stockholm, Sweden, and Munich, Germany?–1947Mrs. L. M. Morris [20th century], EnglandMarch 25, 1947(Sotheby's, London, sale, 25 March 1947, lot 118, sold to Stephen Junkunc III)1947–78István “Stephen" Junkunc III [1904–1978], by descent to his son Stephen Junkunc IV1978–2004(Stephen Junkunc IV [b. 1937], Miami, FL, sold to the Cleveland Museum of Art)2004–The Cleveland Museum of Art, Cleveland, OH
- Martin, F. R. Zeichnungen nach Wu tao-tze aus der götter- und sagenwelt Chinas. München: F. Bruckmann a.g, 1913.Christie, Manson & Woods International Inc. Fine Chinese Ceramics, Paintings and Works of Art. 21 September 2000. Lot 204. Reproduced: pp. 141-46Giuffrida, Noelle. Representing the Daoist God Zhenwu, the Perfected Warrior, in Late Imperial China. PhD diss. University of Kansas, 2008. Mentioned: pp. 52-58; Reproduced: p. 320, fig. 2.47Chou, Ju-hsi and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 2015. Reproduced: pp. 174-195
- {{cite web|title=Album of Daoist and Buddhist Themes: Procession of Daoist Deities: Leaf 14|url=false|author=|year=1200s|access-date=19 April 2024|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/2004.1.14