The Cleveland Museum of Art

Collection Online as of April 18, 2024

Long Shawl

Long Shawl

1785–1800
Location: not on view

Description

Artistic styles evolved with increasingly elaborate mosaic-like decoration during the 1800s to meet an insatiable European demand. Early shawls had plain fields with isolated plants in the end panels, which led to decorated side borders and vases of blossoming stems. Such flora was replaced by colorful, dense blossoms forming cone-shaped botehs, or paisleys, on trays. To this was added a gallery of small botehs and angular floral vines around a rich blue field with single botehs in the corners. Lightweight, supple, warm, and colorful, Kashmir shawls had no equal. Fine, soft goat-hair wool was woven in a 2/2 twill tapestry weave—the equivalent of painting with colored weft threads. Imitations woven in Paisley, Scotland, prompted the popular term paisley.
  • Floral Delight: Textiles from Islamic Lands. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 9, 2014-May 4, 2015).
  • {{cite web|title=Long Shawl|url=false|author=|year=1785–1800|access-date=18 April 2024|publisher=Cleveland Museum of Art}}

Source URL:

https://www.clevelandart.org/art/2008.215