The Cleveland Museum of Art
Collection Online as of December 17, 2025
Goldsmiths
1919
(German, 1876–1956)
Framed: 90.2 x 72.4 x 5.1 cm (35 1/2 x 28 1/2 x 2 in.); Unframed: 69 x 51 cm (27 3/16 x 20 1/16 in.)
Leonard C. Hanna Jr. Fund 2008.36
Location: 225 German Expressionism & Surrealism
Did You Know?
Emile Node once stated: "Every color holds within it a soul, which makes me happy or repels me, and which acts as a stimulus."Description
A leading artist of the German Expressionist group Die Brücke (The Bridge), Nolde criticized French modernism as overly intellectual and tepid. Seeking a new art of radically simplified form and emotive color, he found inspiration in Oceanic sculpture and the medieval paintings of Matthias Grünewald. Deeply religious, Nolde depicted biblical subjects with a deliberately crude, ferocious vigor intended to elevate spirituality over descriptive form. This painting may allude to two goldsmiths divinely selected to make religious objects, and whose work so pleased God that Moses blessed them (Exodus 35:30-43). Such images are not literal illustrations, Nolde explained, but visions that sprang from his own imagination, driven by the spontaneous release of emotion. "In art" he wrote, "I fight for unconscious creation. Labor destroys paintings."- 2008(Betty Krulik Fine Art, Ltd., New York, NY, 2008, sold to the Cleveland Museum of Art)2008-The Cleveland Museum of Art, Cleveland, OH
- Adams, Henry. "The Invisible Man: William Robinson." CAN Journal (Spring 2017): 80-83. Reproduced: p. 82
- {{cite web|title=Goldsmiths|url=false|author=Emil Nolde|year=1919|access-date=17 December 2025|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/2008.36