The Cleveland Museum of Art

Collection Online as of March 25, 2024

Study for the 'Essequie' Conducted in San Lorenzo, Florence, in 1637 in Honour of Holy Roman Emperor Ferdinand II

Study for the 'Essequie' Conducted in San Lorenzo, Florence, in 1637 in Honour of Holy Roman Emperor Ferdinand II

1637
Location: not on view

Description

Alfonso Parigi was the official court architect for the Medici, taking over after the death of his father, the great engineer, architect, and designer Giulio Parigi. Testifying to the Medici's interest in cultivating a culture of the macabre, this sheet is an elaborate study for the essequie (funerary rites) for the Holy Roman Emperor Ferdinand II. Skulls and skeletons commingle with angels and garlands, and black draperies would have been hung to transform the church into a strange, macabre world. The Medici also commissioned artists and designers to create apparati, theatrical stage settings that were similarly elaborate, hell-like scenes. Designed only three years before the young Rosa would come to the court, this haunting sheet displays the grotesque artistic fantasia that was in vogue in Florence when Salvatore Rosa arrived.
  • Sotheby's, London early 1990s; Rick Scorza
  • Langdon, Helen. Salvator Rosa Paint and Performance. London: Reaktion Books, Limited, 2022. .
  • The Novel and the Bizarre: Salvator Rosa's Scenes of Witchcraft. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 15-June 14, 2015).
    The Cleveland Museum of Art (2/15/2015 - 6/14/2015); "The Novel and the Bizarre: Salvator Rosa's Scenes of Witchcraft"
  • {{cite web|title=Study for the 'Essequie' Conducted in San Lorenzo, Florence, in 1637 in Honour of Holy Roman Emperor Ferdinand II|url=false|author=Alfonso Parigi|year=1637|access-date=25 March 2024|publisher=Cleveland Museum of Art}}

Source URL:

https://www.clevelandart.org/art/2011.192