The Cleveland Museum of Art

Collection Online as of December 20, 2025

Two Homeless Boys, Beijing

1998
(Chinese, b. 1969)
Paper: 45.7 x 45.7 cm (18 x 18 in.); Matted: 71.1 x 66 cm (28 x 26 in.)
Courtesy of the artist and Eli Klein Gallery © Liu Zheng
Location: Not on view

Description

Liu Zheng worked for a newspaper in 1991–97, creating images that were supposedly documentary but instead presented a fictional, idealized view of life in China. The burgeoning individual prosperity and increasing openness to the West, meanwhile, was contributing to the rise of the photographer-artist in China, whose work fulfilled personal expressive needs rather than governmental ends. In 1994, Liu took on this new role as he began The Chinese, a seven-year independent project chronicling Chinese society that may have been inspired by German photographer August Sander’s comprehensive catalogue of his country’s people. Like American portraitist Diane Arbus, Liu emphasized dispossessed and marginalized citizens, the type of subjects he had been forbidden to shoot as a photojournalist.
  • Artist; Michael Mattis and Judith Hochberg; Cleveland Museum of Art
  • Refocusing Photography: China at the Millenium. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 8-November 16, 2025).
    Facing the Ancestors: Chinese Portraits and Figure Painting – Chinese Gallery Rotation 240a, 241c. The Cleveland Museum of Art (organizer) (August 12, 2019-February 2, 2020).
  • {{cite web|title=Two Homeless Boys, Beijing|url=false|author=Liu Zheng|year=1998|access-date=20 December 2025|publisher=Cleveland Museum of Art}}

Source URL:

https://www.clevelandart.org/art/2012.113