The Cleveland Museum of Art
Collection Online as of December 13, 2025

Les Femmes Du Maroc: La Grande Odalisque
2008
(Moroccan, b. 1956)
Overall: 76.2 x 101.6 cm (30 x 40 in.)
© Lalla Essaydi
Location: Not on view
Did You Know?
Lalla Essaydi's photographs provide a bridge from historic Islamic art into the contemporary Islamic world.Description
Adapted from the renowned French neoclassical painting La Grande Odalisque by Jean-Auguste-Dominique Ingres (1780–1867), this photograph belongs to a series that reflects the complex female identities in the Muslim world. Inspired by her journal, Essaydi swathed the woman’s body with Arabic text using henna—associated with special celebratory events such as puberty, marriage, and bearing a first child when the feet and hands are decorated during female festivities. Similarly in Iran, paintings of stories in illustrated manuscripts were frequently adapted from established compositions from the 1300s through the 1600s.- 2008–?Lalla Essaydi, New York, NY?–2012(Edwynn Houk Gallery, New York, NY, sold to the Cleveland Museum of Art)2012–The Cleveland Museum of Art, Cleveland, OH
- Enwezor, Okwui, and Chika Okeke-Agulu. Contemporary African Art Since 1980. Bologna: Damiani, 2009.Essaydi, Lalla, and Fatima Mernissi. Les Femmes Du Maroc. Brooklyn, NY: PowerHouse Books, 2009. p. 27
- Islamic art rotation. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 16, 2015-December 19, 2016).
- {{cite web|title=Les Femmes Du Maroc: La Grande Odalisque|url=false|author=Lalla Essaydi|year=2008|access-date=13 December 2025|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/2012.13