The Cleveland Museum of Art
Collection Online as of December 19, 2025

A holy man prostrating himself before a learned prince
c. 1585; border added probably 1700s
attributed to Manohar
Page: 31.5 x 19.7 cm (12 3/8 x 7 3/4 in.)
Location: 242B Indian Painting
Description
Manohar riffs on the work of his father, Basavana, by showing a holy man bowing at the feet of a prince, instead of another holy man. Those who could recognize the relationship between this work and that of his father (CMA 2013.296) would impress gatherings of courtly connoisseurs, who prided themselves on being able to identify the hand of individual artists just by looking at the paintings. Recitation of poetry would accompany the viewing of paintings and drawings. Virtuoso artists reflected glory on their patrons. As an Islamic ruler, Akbar and his court participated in these activities—a new purpose for art that Indian artists had to learn.- early 20th centurySevadjian Collection, Paris, FranceMarch 18–20, 1961(Hotel Drouot, Paris, France, Art Persan, Collection Sevadjian, 18–20 March 1961 sale, lot 92, sold to a Private Collection)1961–94Private Collection, FranceOctober 20, 1994(Christie’s, South Kensington, London, England, Oriental Ceramics and Works of Art, 20 October, 1994, lot 300, sold to Ralph and Catherine Glynn Benkaim)1994–2013Catherine Glynn Benkaim and Ralph Benkaim Collection2013–The Cleveland Museum of Art, Cleveland, OH
- Mace, Sonya Rhie, Mohsen Ashtiany, Catherine Glynn, Pedro Moura Carvalho, Marcus Fraser, and Ruby Lal. Mughal Paintings: Art and Stories: the Cleveland Museum of Art. London: D Giles Limited, 2016. Mentioned and Reproduced: cat. 11, p. 199
- Indian Painting of the 1500s: Continuities and Transformations. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 15, 2025-January 11, 2026).
- {{cite web|title=A holy man prostrating himself before a learned prince|url=false|author=Manohar|year=c. 1585; border added probably 1700s|access-date=19 December 2025|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/2013.297