The Cleveland Museum of Art
Collection Online as of December 19, 2025

The Vanishing Race
1904
(American, 1868–1952)
Image: 27.8 x 35.5 cm (10 15/16 x 14 in.); Paper: 27.8 x 35.5 cm (10 15/16 x 14 in.); Framed: 40 x 47.5 cm (15 3/4 x 18 11/16 in.)
Location: Not on view
Did You Know?
This image is the frontispiece of Edward Curtis’s multivolume study of The North American Indian.Description
Curtis wrote that this scene of Navajo riding off into the distance showed “that the Indians as a race, already shorn in their tribal strength and stripped of their primitive dress, are passing into the darkness of an unknown future.” The artist’s signature image is produced here as an orotone, a positive gelatin silver print on glass that has been backed with gold pigment or leaf.- Daniel Wolf, Inc., New York, NY1983-2019Thomas A. and Diann G. Mann, Palm Beach Gardens, FLMarch 4, 2019the Cleveland Museum of Art, Cleveland, OH
- Joseph Epes Brown, The North American Indian, Aperture, New York, 1972, p. 95Curtis, Edward S., and Christopher Cardozo. Native Nations: First Americans As Seen by Edward S. Curtis. Boston: Little, Brown, 1993. p. 123Curtis, Edward S., and Christopher Cardozo. Sacred Legacy: Edward S. Curtis and the North American Indian. New York: Simon & Schuster, 2000. p. 188Curtis, Edward S., Frederick Webb Hodge, Theodore Roosevelt, J. Pierpont Morgan, and Christopher Cardozo. The North American Indian: Being a Series of Volumes Picturing and Describing the Indians of the United States and Alaska. 2017. Portfolio I, pl. 1Christie, Manson & Woods International Inc. An American Journey: The Diann G. and Thomas A. Mann Collection of Photographic Masterworks. 2018.
- {{cite web|title=The Vanishing Race|url=false|author=Edward S. Curtis|year=1904|access-date=19 December 2025|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/2019.27