The Cleveland Museum of Art

Collection Online as of December 23, 2025

A View of Bracciano with the Church of S. Maria Assunta

c. 1619–33
Location: Not on view

Did You Know?

In the early 17th century, European artists were just beginning to make sketches such as this one outdoors and onsite.

Description

In the early 1600s, artists from Northern Europe began to take long trips to Italy as part of their artistic training. Bartholomeus Breenberg traveled to Italy around 1620 and probably stayed for at least 12 years. While there, he sketched ancient ruins and the countryside, features he would use in his paintings when he returned to Amsterdam in the 1630s. The area around the Lago di Bracciano, a volcanic lake northwest of Rome, was home to several medieval villages that provided charming vistas for artists. In his view, Breenberg emphasized the crumbling turret of a medieval castle in Bracciano in front of the ordered, linear outline of the Church of Santa Maria Assunta beyond. Combining gray and brown ink washes to plot gradations in tone, he created vivid contrasts of light and shade, capturing the effects of the bright Italian sunshine.
  • with Johan Bosch van Rosenthal
    Mr. and Mrs. Joseph P. Keithley, Cleveland, OH
    March 2, 2020
    the Cleveland Museum of Art, Cleveland, OH
  • Peters, Emily. "Dutch Drawings." In The Keithley Collection at the Cleveland Museum of Art, edited by Heather Lemonedes Brown, 26-31, 38-41. Cleveland, OH: The Cleveland Museum of Art, 2022. Mentioned and reproduced: p. 26-27; Mentioned: p. 258
  • Impressionism to Modernism: The Keithley Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 11, 2022-January 8, 2023).
  • {{cite web|title=A View of Bracciano with the Church of S. Maria Assunta|url=false|author=Bartholomeus Breenberg|year=c. 1619–33|access-date=23 December 2025|publisher=Cleveland Museum of Art}}

Source URL:

https://www.clevelandart.org/art/2020.127