The Cleveland Museum of Art

Collection Online as of July 20, 2026

This horizontally oriented albumen print depicts a sepia-toned cemetery on a grassy hillside. In the middle ground, a stone chapel stands among dark trees, while a dirt path winds through grave markers. In the upper background, a large building crowns a steep hill. To the right, a distant harbor and jagged mountains fade into a pale gray sky. The photograph is centered on a wide, white paper mount.

Untitled (Happy Valley Cemetery, Hong Kong)

1866–73
(British, 1834–c. 1900)
Image: 20.2 x 27.4 cm (7 15/16 x 10 13/16 in.); Paper: 20.2 x 27.4 cm (7 15/16 x 10 13/16 in.); Mounted: 25.5 x 33.3 cm (10 1/16 x 13 1/8 in.)
Location: Not on view

Did You Know?

Floyd left his home in Cornwall, England, at age 17 to become a “boy” on a commercial sailing ship in 1851.

Description

By 1865, Floyd had abandoned the merchant marine and become an assistant in a photographic studio in Shanghai. After briefly operating his own studio in Macau in 1866, he moved it to Hong Kong, which was a larger and busier port. For almost a decade, his was the most successful photographic studio in the Far East. In 1875, he closed that studio and moved to the Philippines.
  • Alexander Young Herries [1827-1918)
    ?-2020
    (Pump Park Vintage Photography, Co. Down, Ireland)
    September 14, 2020
    The Cleveland Museum of Art, Cleveland, OH
  • {{cite web|title=Untitled (Happy Valley Cemetery, Hong Kong)|url=false|author=William Pryor Floyd|year=1866–73|access-date=20 July 2026|publisher=Cleveland Museum of Art}}

Source URL:

https://www.clevelandart.org/art/2020.232