The Cleveland Museum of Art

Collection Online as of December 21, 2025

A View of the Vestibule of Saint Mary at Rome

1766
(French, 1730–1800)
Image: 53.1 x 40.4 cm (20 7/8 x 15 7/8 in.); Platemark: 56.5 x 40.5 cm (22 1/4 x 15 15/16 in.); Sheet: 64.9 x 53.2 cm (25 9/16 x 20 15/16 in.)
Catalogue raisonné: IFF 7; Dodgson 4
Location: Not on view

Did You Know?

Mezzotint was relatively new at the time this print was made and had yet to be utilized for such large plates of an architectural nature as seen here.

Description

After returning from several years spent in Italy, the French printmaker George-Francois Blondel settled in London in order to take advantage of the English taste for images of Italian sites. This is one of a series of eight prints he published in 1766 depicting imagined and real Italian interiors. Using the relatively new technique of mezzotint, which creates velvety, dark tonal areas, as well as low vantage points, Blondel created towering, awe-inspiring spaces. For special patrons, he printed the plates in sepia ink, rather than in black; the CMA’s set includes two of these unusual sepia impressions.
  • Thomas Pitt, first Baron Camelford (1737–1793), Boconnoc, Cornwall
    By descent until the 2010s
    June 22, 2017
    sale, Dreweatts Bloomsbury, London, England
    ?–2022
    (C.G. Boerner, LLC, New York, NY), sold to The Cleveland Museum of Art, Cleveland, OH
    September 12, 2022–
    The Cleveland Museum of Art, Cleveland, OH
  • N.G. Stogdon. [forthcoming] Catalogue raisonné of G.-F. Blondel’s prints. Print Quarterly
    Dodgson, Campbell, “The mezzotints of G F Blondel,” Print Collector's Quarterly (IX) 1922 p. 303–14
  • Imagination in the Age of Reason. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 28, 2024-March 2, 2025).
  • {{cite web|title=A View of the Vestibule of Saint Mary at Rome|url=false|author=Georges Francois Blondel|year=1766|access-date=21 December 2025|publisher=Cleveland Museum of Art}}

Source URL:

https://www.clevelandart.org/art/2022.131