The Cleveland Museum of Art
Collection Online as of September 15, 2024
Teacup from Teacups with Chinese Landscapes
1914–46
(Japanese, 1872–1951)
Overall: 4 x 6.6 cm (1 9/16 x 2 5/8 in.)
Gift of James and Christine Heusinger 2022.202.6
Location: not on view
Did You Know?
Seifū Yohei IV produced many works for use in Chinese-style tea gatherings called sencha.Description
Originally from a set of twelve, each of these eleven sencha teacups has a different landscape wrapped around the body, giving individual cups their own engaging narrative. These paintings are comfortingly familiar in their formulaic qualities, known to any casual fan of ink painting; they are also enjoyable in the way the narratives are revealed as one manipulates the cups. They would be perfect as conversation pieces for a tea gathering.Four of the cups focus on travelers approaching residences. Two have a person crossing a bridge as their central motif: one man has a backpack, and the other, a cloth-wrapped bundle hanging from a pole slung over his shoulder. Another cup depicts a pair of friends gathered together on rock platforms. A single cup shows a man carrying a furled banner toward a pavilion. The remaining three cups feature people riding in boats: two have literati passengers, and the third is occupied by a fisherman.
Seifu Yohei IV’s training as a painter with Tanomura Shosai (1847–1909), an adoptive son of Tanomura Chokunyu, his father’s painting teacher, is evident in the details of the tiny worlds created on the cups.
- ?–2022James and Christine Heusinger, Berea, OH, given to the Cleveland Museum of Art2022–The Cleveland Museum of Art, Cleveland, OH
- Maezaki, Shinya and Sinéad Vilbar. Colors of Kyoto: The Seifū Yohei Ceramic Studio. Cleveland, OH: The Cleveland Museum of Art, 2023. Mentioned and Reproduced: cat. no. 58, pp. 146–147
- {{cite web|title=Teacup from Teacups with Chinese Landscapes|url=false|author=Seifū Yohei IV|year=1914–46|access-date=15 September 2024|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/2022.202.6