The Cleveland Museum of Art
Collection Online as of December 13, 2025

Birdcage Kid (Boy)
2023
(British Nigerian, b. 1962)
135.5 x 102 x 88.5 cm (53 3/8 x 40 3/16 x 34 13/16 in.)
© Yinka Shonibare CBE
Location: Not on view
Did You Know?
Symbolic of hope and freedom, the birds and birdcage imagery in this piece can be connected to Maya Angelou’s 1969 book I know why the caged bird sings. Angelou briefly lived in Cleveland in the 1950s.Description
Stepping forward, a boy bends his body with the effort of carrying birdcages. The visual signature of Shonibare’s artistic practice, his Victorian era–style suit (c. 1820–1914), is tailored from boldly printed “African” or “Dutch” wax fabric. Indonesian in origin, this European-made fabric is now synonymous with West African dress. The artist uses it to consider cultural heritage and colonialism, and the denial of civil liberties experienced by members of the African diaspora. This includes mass incarceration, potently symbolized by the birds who fly from their cages. Here, the artist's concerns are intertwined with environmental conservation; each faux bird represents a critically endangered species.- 2023Studio of Yinka Shonibare CBE RA2023–The Cleveland Museum of Art by partial gift and purchase
- Litt, Steven. "Cleveland Museum of Art acquires German Gothic woodcarving, surrealist photos, contemporary sculpture." The Plain Dealer, January 19, 2024. Print Edition, Sunday, January 21, 2024, D3 www.cleveland.comWindmuller-Luna, Kristen. “Yinka Shonibare’s Birdcage Kid (Boy): a sculpture of history and hope.” Cleveland Art: The Cleveland Museum of Art Members Magazine, Vol. 64, No. 02 (May 2024), pp. 28-9. www.clevelandart.org
- {{cite web|title=Birdcage Kid (Boy)|url=false|author=Yinka Shonibare CBE RA|year=2023|access-date=13 December 2025|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/2023.158