The Cleveland Museum of Art

Collection Online as of August 16, 2026

A horizontally oriented black-and-white photograph depicts two figures seated in deep shadow behind a stone ledge, sheltered by a striped cloth canopy. In the foreground, dozens of round fruits rest on newspapers spread alongside printed religious images. To the right, a figure leans against a tree trunk; on the left, another holds a newspaper titled "LOS VASCOS." Harsh sunlight creates dark, dappled shadows across the scene near a woven basket.

Trampa puesta

1934, printed 1974

Manuel Álvarez Bravo

(Mexican, 1902–2002)
Mexico
gelatin silver print
Gift of Alan and Monah L. Gettner 2023.197.11
Location: Not on view

Did You Know?

It is the artist’s personal outlook and cultural heritage that unify the disparate subjects photographed by Manuel Alvarez Bravo.

Description

Manuel Alvarez Bravo sought to represent the viewpoint of Mexico’s Indigenous cultural heritage and its peasants as he chronicled their encounter with the country’s rapid modernization. His work is often considered Surrealist, but he never formally identified with that art movement. The odd juxtapositions, occasional humor, and quixotic viewpoint of his images may derive from growing up in a culture that contains both Indigenous and European traditions.
  • ?–2023
    Monah Gettner, Hyperion Press, Ltd., New York, NY, given to The Cleveland Museum of Art, Cleveland, OH
    December 4, 2023–
    The Cleveland Museum of Art, Cleveland, OH
  • {{cite web|title=Trampa puesta|url=false|author=Manuel Álvarez Bravo|year=1934, printed 1974|access-date=16 August 2026|publisher=Cleveland Museum of Art}}

Source URL:

https://www.clevelandart.org/art/2023.197.11