The Cleveland Museum of Art

Collection Online as of July 8, 2026

A horizontally oriented black-and-white photograph depicts a brickyard. In the foreground, rows of drying bricks and stacked walls are spread across the ground. A large kiln on the left emits a massive plume of dark smoke that drifts across the sky. A small silhouette stands atop the kiln. In the background, another structure and a lone animal occupy the flat plains stretching toward the horizon.

La quema

1957, printed 1974

Manuel Álvarez Bravo

(Mexican, 1902–2002)
Mexico
gelatin silver print
Gift of Alan and Monah L. Gettner 2023.197.9
Location: Not on view

Did You Know?

It is the artist’s personal outlook and cultural heritage that unify the disparate subjects photographed by Manuel Alvarez Bravo

Description

Manuel Alvarez Bravo sought to represent the viewpoint of Mexico’s Indigenous cultural heritage and its peasants as he chronicled their encounter with the country’s rapid modernization. His work is often considered Surrealist, but he never formally identified with that art movement. The odd juxtapositions, occasional humor, and quixotic viewpoint of his images may derive from growing up in a culture that contains both Indigenous and European traditions.
  • ?–2023
    Monah Gettner, Hyperion Press, Ltd., New York, NY, given to The Cleveland Museum of Art, Cleveland, OH
    December 4, 2023–
    The Cleveland Museum of Art, Cleveland, OH
  • {{cite web|title=La quema|url=false|author=Manuel Álvarez Bravo|year=1957, printed 1974|access-date=08 July 2026|publisher=Cleveland Museum of Art}}

Source URL:

https://www.clevelandart.org/art/2023.197.9