Artwork Page for Orestes and Pylades brought to Iphigenia for Sacrifice

Details / Information for Orestes and Pylades brought to Iphigenia for Sacrifice

Orestes and Pylades brought to Iphigenia for Sacrifice

1514/1536
(Italian, 1490–1540)
Medium
engraving
Support
Cream(3) laid paper
Measurements
Sheet: 25.9 x 19.4 cm (10 3/16 x 7 5/8 in.)
Credit Line
Catalogue raisonné
Bartsch 194 (XIV.158) ; Passavant VI.54.35
Public Domain
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Location
Not on view

Description

This scene comes from Greek mythology. According to one version of the story, Orestes (son of Agamemnon, king of Mycenae) and his companion, Pylades, were sent on a mission to retrieve a sculpture of the goddess Artemis. They were captured, however, and brought to the temple to be sacrificed. Luckily, the temple's high priestess, Iphigenia, turns out to be Orestes's sister, who he believed was sacrificed long before. Overjoyed by their reunion, Iphigenia saves Orestes and Pylades and helps them obtain the statue.

Agostino Musi was born in Venice and was a pupil of Giulio Campagnola (about 1482–after 1514) before going to Rome, where he worked under Marcantonio until 1520.
A vertically oriented engraving in black ink depicts five figures in a stone interior. On the left, a woman in a long dress holds a lit torch over a flaming basin. She faces two nude men with hands bound behind their backs. Behind them, two clothed men stand, one holding a tall spear. A slender tree and small statue on a pedestal stand at the far left. Three niches and a column frame the background.

Orestes and Pylades brought to Iphigenia for Sacrifice

1514/1536

Agostino Veneziano

(Italian, 1490–1540)
Italy, 16th century

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