Artwork Page for The Passion: Christ Bearing the Cross

Details / Information for The Passion: Christ Bearing the Cross

The Passion: Christ Bearing the Cross

c. 1480
(German, c. 1450–1491)
Culture
Germany
Medium
engraving
Catalogue raisonné
Lehrs V.147.26
Public Domain
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Location
Not on view
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Did You Know?

Veronica's veil, or the sudarium, retained an imprint of Christ's face and was believed in the late Middle Ages to have the power to self-replicate each time it came into contact with other clothes.

Description

Martin Schongauer's series of the Passion of Christ was his largest set of engravings, made around 1480, and extensively copied across Europe. It consists of twelve prints detailing the suffering of Christ in the last days of his life. Schongauer's version focuses on crowded scenes, grotesque physiognomies of Christ's tormentors, and great pathos in the compositions. Here, a long procession exits the city gate of Jerusalem. Christ, at the center, is weighed down by the heavy cross which he must carry to Calvary. On the left, the Virgin Mary cries for the imminent death of her son, while Veronica holds the sudarium, used to wipe his sweat and blood, and imprinted with his face.
A vertically oriented print in dense black-inked fine lines depicts light-skinned figures crowded around Christ carrying a cross. In the center, Christ wears a crown of thorns and draped robes. To the right, a man in a turban pulls a rope tied around Christ's waist. On the left, a kneeling woman holds a cloth showing Christ's face. Behind them, soldiers with spears and halberds emerge from a stone archway with a spiked gate.

The Passion: Christ Bearing the Cross

c. 1480

Martin Schongauer

(German, c. 1450–1491)
Germany

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