Artwork Page for Bacchanales: Nymph Supported by Two Satyrs

Details / Information for Bacchanales: Nymph Supported by Two Satyrs

Bacchanales: Nymph Supported by Two Satyrs

1763
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(French, 1732–1806)
Medium
etching
Measurements
Sheet: 13.3 x 20 cm (5 1/4 x 7 7/8 in.)
Credit Line
Catalogue raisonné
Wildenstein III ; Le Blanc 18 : Portalis & Beraldi II.210.1
Public Domain
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Location
Not on view

Description

The set of Bacchanales was made two years after Fragonard returned from a trip to Italy where he studied Roman antiquities. However, these light-hearted vignettes owe more to the effervescent aspects of the 18th-century Rococo period than to a serious understanding of antiquity and Roman art. Fragonard's black chalk drawing for Nymph Supported by Two Satyrs—after a marble bas-relief then in the Villa Mattei in Rome—and two other studies for these etchings still exist. Although this is one of Fragonard's earliest prints, it shows that he had already mastered the process: the etched lines effectively suggest the weight and movement of the figures and also provide a uniform system of light and shading for the decorative backdrop of foliage.
A horizontally oriented print in brown ink depicts three nude figures within a central oval composition. A woman with light skin tone sits elevated on the joined arms of two kneeling satyrs. These satyrs, muscular with goat legs and horns, face her. Dense foliage frames the oval on the left, while tall reeds and bundled stalks sit on the right. Fine hatching and lines define textures and shadows throughout the pastoral scene.

Bacchanales: Nymph Supported by Two Satyrs

1763

Jean-Honoré Fragonard

(French, 1732–1806)
France, 18th century

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