Artwork Page for The Passion: The Entombment

Details / Information for The Passion: The Entombment

The Passion: The Entombment

c. 1480
(German, c. 1450–1491)
Culture
Germany
Medium
engraving
Credit Line
Catalogue raisonné
Lehrs V.155.28
Public Domain
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Location
Not on view
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Did You Know?

Martin Schongauer creates a sophisticated visual connection between this scene and that of the Crucifixion by including an empty cross on a hill in the distance.

Description

Martin Schongauer's series of the Passion of Christ was his largest set of engravings, made around 1480, and extensively copied across Europe. It consists of twelve prints detailing the suffering of Christ in the last days of his life. Schongauer's version focuses on crowded scenes, grotesque physiognomies of Christ's tormentors, and great pathos in the compositions. Here, the Virgin Mary and Saint John the Evangelist are shown with their back and side to the viewer. Their attention is focused on Christ's body, which is lowered into a sarcophagus by Joseph of Arimathea and Nicodemus. Mourning women witness the entombment.
A vertically oriented black ink print depicts eight people with light skin tones in dense fine lines gathering around a stone tomb. In the center, several figures lower a deceased man into a sarcophagus. One man kneels in the foreground with his back turned, supporting the torso. To our right, a crown of thorns lies on the ground. Behind the group, craggy rocks and bare trees are rendered in intricate cross-hatching.

The Passion: The Entombment

c. 1480

Martin Schongauer

(German, c. 1450–1491)
Germany

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