Artwork Page for Maruru (Offerings of Gratitude)

Details / Information for Maruru (Offerings of Gratitude)

Series Title: Noa Noa

Maruru (Offerings of Gratitude)

1893–94
(French, 1848–1903)
Support
Rose paper
Measurements
Sheet: 20.6 x 36 cm (8 1/8 x 14 3/16 in.); Image: 20.3 x 35.5 cm (8 x 14 in.)
Catalogue raisonné
G.24; M/K/J 22
State
I/II
Public Domain
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Location
Not on view
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Did You Know?

The majority of prints from Noa Noa were printed by the master printer Louis Roy or, later, by Paul Gauguin's son Pola, making this impression particularly rare.

Description

In 1891 Paul Gauguin traveled to Tahiti, seeking a more authentic style of art making than the conservatism he rejected in Western culture. After returning to Paris in 1893, he began working on Noa Noa, an illustrated book that explained and illustrated his experiences abroad. Although the project was never completed, this print is one of its illustrations. Gauguin depicted a lush landscape by chiseling roughly into a woodblock, a technique meant to suggest relief sculpture he viewed in Tahiti. This style is emphasized by the irregularly applied ink of Maruru—one of only a few impressions Gauguin printed himself.
A horizontally oriented woodcut print in pink and black tones depicts a textured landscape. In the foreground, three light-colored animals stand near the hand-carved text "MARURU." In the middle ground, a figure kneels before a massive, dark idol with a profile facing right. To our left, another figure stands beside a small hut. Swirling, stylized clouds and sharp mountain peaks fill the upper background against a dark sky.

Maruru (Offerings of Gratitude)

1893–94

Paul Gauguin

(French, 1848–1903)
France, 19th century

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