Artwork Page for And His Name That Sat on Him Was Death

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Series Title: The Apocalypse of Saint John

And His Name That Sat on Him Was Death

1899
(French, 1840–1916)
printer
publisher
(French, 1867–1939)
Support
China paper; wove paper
Measurements
Image: 31 x 22.5 cm (12 3/16 x 8 7/8 in.)
Credit Line
Catalogue raisonné
Mellerio 176
State
I/I
Edition
edition of 100
Public Domain
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Location
Not on view
?

Did You Know?

This is one of the last works where Redon experimented with lithograph and all-black medium. In contrast, bright, dazzling colors characterize his late works.

Description

The last of Odilon Redon’s 11 lithographic portfolios, this series relates to the Book of Revelation from the Christian Bible. The subject had been explored throughout art history, allowing the artist to align himself with past masters, such as Albrecht Dürer. Although Redon often vaguely referenced texts, these prints directly illustrate 12 individual passages, including one about a woman clothed with the sun and another focused on a great star falling from heaven. By the time he created this portfolio, Redon’s reputation was well established. The project was published by art dealer Ambroise Vollard, who began to sell and promote Redon’s work about a year earlier, building a market for his prints in Paris and abroad.
A vertically oriented lithograph in black ink on off-white paper depicts a skeletal figure leaning back on a horse, brandishing a sword in its raised hand. The pair moves toward the left, enveloped in dense, dark hatch marks. A long, thin pole slices diagonally from the bottom toward the upper right corner. At the base, bright curved lines contrast with the shadowy background. French text is printed at the bottom of the page.

And His Name That Sat on Him Was Death

1899

Odilon Redon, Blanchard, Ambroise Vollard

(French, 1840–1916), (French, 1867–1939)
France, late 19th Century

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