Melencolia I

Although the title indentifies the subject as melancholy, the means by which Dürer demonstrates this emotional state is complex, making Melencolia I the most analyzed and discussed of Dürer’s works. Dürer personifies melancholy as a formidable female—her power originates in her ability to alter a man’s temperament into a melancholic state. Immobilized by her lack of creativity, the winged goddess sits dispiritedly surrounded by the tools and instruments she has lost the inspiration to use. Among intellectuals, melancholy was often associated with introspective, educated people, even genius. Because artists were especially prone to melancholy, this image has been interpreted as Dürer’s spiritual self-portrait, implying that the artist identified with her creative plight.

A vertically oriented print in black ink depicts a winged woman sitting on the right in front of the exterior corner of a building, left elbow on left knee, looking to our left. Left of her, a winged baby sits level with her face, looking down at a skinny animal curled up at the woman's feet. Tools and instruments litter the ground while, in the upper left the inscription "MELENCOLIA I" hovers over a water landscape.

Melencolia I

1514

Albrecht Dürer

(German, 1471–1528)

Germany

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Melencolia I

Albrecht Dürer

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Melencolia I

Albrecht Dürer

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