Artwork Page for A Madman in a Dismal Landscape

Details / Information for A Madman in a Dismal Landscape

Series Title: Homage to Goya

A Madman in a Dismal Landscape

1885
(French, 1840–1916)
printer
Support
Wove paper; China paper
Measurements
Image: 22.6 x 19.5 cm (8 7/8 x 7 11/16 in.)
Catalogue raisonné
Mellerio 56
State
I/I
Edition
first edition (edition of 50)
Public Domain
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Location
Not on view
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Did You Know?

This portfolio was published in an edition of 50, one of which Redon sent to poet Stéphane Mallarmé soon after Redon became a frequent participant in a literary salon held regularly at Mallarmé's home.

Description

This series is one of many that Odilon Redon created throughout his career. Nearly two-thirds of his lithographs took the form of portfolios—prints connected conceptually by a theme or narrative and physically by a folder or binding. Such works were often dispersed over time, but Cleveland was fortunate to acquire several complete sets with their original covers during the 1920s. Dating from Redon’s early experimentation with lithography, Homage to Goya was intended as a tribute to 18th-century Spanish master Francisco de Goya, whose interest in dreams and the subconscious influenced Redon. The six seemingly unrelated images celebrate Goya’s ambiguity and collectively suggest the introspection and isolation of artistic practice.
A vertically oriented lithograph depicts a bearded figure wearing long robes with wide eyes and crossed arms standing between two massive tree trunks. The foreground contains light sandy ground and small grass tufts, while craggy hills rise under a gray hatched sky in the background. Above, the words: "Planche III." In the lower left corner: "ODILON REDON." Below, the words: "Un FOU, dans un morne paysage."

A Madman in a Dismal Landscape

1885

Odilon Redon, Lemercier & Cie.

(French, 1840–1916)
France, 19th century

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