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Series Title: The Temptation of Saint Anthony (First Series)

And All Manner of Frightful Creatures Arise

1888
(French, 1840–1916)
printer
(French)
publisher
Support
China paper; wove paper
Measurements
Image: 31.2 x 22.4 cm (12 5/16 x 8 13/16 in.)
Catalogue raisonné
Mellerio 91
State
I/I
Edition
edition of 60 (58 printed)
Public Domain
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Location
Not on view
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Did You Know?

Publisher Edmond Deman commissioned this portfolio after he saw an 1886 exhibition of Redon's work in Brussels, Belgium.

Description

This portfolio is one of three made by Odilon Redon inspired by avant-garde writer Gustave Flaubert’s novel The Temptation of Saint Anthony (1874). Captivated by the book’s fantastical account of moralizing tests encountered by a hermit in the desert, Redon executed charcoal drawings and attempted to evoke that medium’s dense blackness in his lithographs. Based on the text’s darkly imaginative tone rather than its actual content, the works in this series present invented monsters and figures in otherworldly settings with jarring tonal variations. Although Redon felt that the prints effectively translated the surreal universe of his source material, they were largely misunderstood in his own time.
A vertically oriented black ink print on cream paper depicts a large, coiled creature, its head facing left. Dense black ink dominates, with fine white lines and sketchy strokes defining the form. Above, a bright, textured burst of light breaks the darkness. Below, several small, pale faces emerge from deep shadows. High contrast creates an eerie scene where shapes materialize from a heavy, ink-blotched void.

And All Manner of Frightful Creatures Arise

1888

Odilon Redon, Becquet, Edmond Deman

(French, 1840–1916), (French)
France, 19th century

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