Artwork Page for Everywhere Eyeballs are Aflame

Details / Information for Everywhere Eyeballs are Aflame

Series Title: The Temptation of Saint Anthony (First Series)

Everywhere Eyeballs are Aflame

1888
(French, 1840–1916)
printer
(French)
publisher
Support
China paper; wove paper
Measurements
Image: 20.4 x 15.8 cm (8 1/16 x 6 1/4 in.); Sheet: 44.1 x 30.7 cm (17 3/8 x 12 1/16 in.)
Catalogue raisonné
Mellerio 92
State
I/I
Edition
edition of 60 (58 printed)
Public Domain
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Location
Not on view
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Did You Know?

Publisher Edmond Deman commissioned this portfolio after he saw an 1886 exhibition of Redon's work in Brussels, Belgium.

Description

This portfolio is one of three made by Odilon Redon inspired by avant-garde writer Gustave Flaubert’s novel The Temptation of Saint Anthony (1874). Captivated by the book’s fantastical account of moralizing tests encountered by a hermit in the desert, Redon executed charcoal drawings and attempted to evoke that medium’s dense blackness in his lithographs. Based on the text’s darkly imaginative tone rather than its actual content, the works in this series present invented monsters and figures in otherworldly settings with jarring tonal variations. Although Redon felt that the prints effectively translated the surreal universe of his source material, they were largely misunderstood in his own time.
A vertically oriented print in black ink depicts a large, spherical eyeball floating in a pale space. Fine, hair-like lines radiate from the eye's dark upper half. A craggy landmass with charcoal-like hatching rises from the lower right corner, while a mass of frenzied dashes curves across the top left. Fine stippling throughout the scene establishes sharp contrast between the dark, textured forms and the light, empty background.

Everywhere Eyeballs are Aflame

1888

Odilon Redon, Becquet, Edmond Deman

(French, 1840–1916), (French)
France, 19th century

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