Artwork Page for Les Soirées de Rome: L'Escalier aux quatre bornes

Details / Information for Les Soirées de Rome: L'Escalier aux quatre bornes

Les Soirées de Rome: L'Escalier aux quatre bornes

1763
(French, 1733–1808)
Medium
etching
Catalogue raisonné
Baudicour Vol. I.175.4 ; Le Blanc Vol. III.340.4
Public Domain
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Location
Not on view

Description

Derived from his own pen-and-ink drawings, this suite of etchings features fictional characters situated near recognizable buildings and statues in Rome. On the title page, Robert dedicated the suite to Marguerite Le Compte, who visited Rome in 1764 in the company of the wealthy author and art enthusiast Claude Henri Watelet. Both Le Compte and Watelet were amateur etchers, and they socialized with a group that included artists and printmakers centered at the academies in Italy. Robert’s dedication was likely motivated by the hope of future patronage from Le Compte. She may be the generous woman with a hand muff depicted in The Ancient Temple, the fifth scene in this series.
A vertically oriented etching depicts an overgrown classical structure centered in the frame. Four fluted columns support an entablature topped by a sculpted mask with an open mouth on a rectangular base. To the left, several figures congregate on broad stone steps; one reclines while another gestures toward the right. Inside the shadowed structure, a solitary figure sits. In the right foreground, figures stand near rounded stone bollards under a sky of wispy clouds.

Les Soirées de Rome: L'Escalier aux quatre bornes

1763

Hubert Robert

(French, 1733–1808)
France, 18th century

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