The Pastorals of Virgil, Eclogue I: The Blasted Tree

William Blake conceived and engraved 17 designs for Dr. Robert John Thornton’s The Pastorals of Virgil, a popular schoolbook used in teaching Latin. The publication included translations of poems by ancient Roman author Virgil that focus on a rural setting as both a subject matter and as the background for discussions of various issues, from love to politics. Blake’s illustrations reveal his emphasis on the natural world. As his only wood engravings, they also show how the process entails cutting away from the woodblock to create lighter sections, in essence working in white over a black background. Here, several areas—such as the textures of the trees—emphasize that point.

A horizontally oriented wood engraving in black ink features a gnarled tree on the left that leans into the center. In the upper right of the textured sky sits a white crescent moon. The middle ground is bisected by a dark line of foliage, while the foreground consists of sloping earth marked by undulating white lines. This high-contrast scene emphasizes the rough textures of the tree bark, night sky, and ground.

The Pastorals of Virgil, Eclogue I: The Blasted Tree

1821

William Blake

(British, 1757–1827)

England, 19th century

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