Artwork Page for Antelope and deer hunt

Details / Information for Antelope and deer hunt

Antelope and deer hunt

c. 1602–4
(Indian, active c.1596–1645)
Measurements
Image: 20 x 11.8 cm (7 7/8 x 4 5/8 in.); Overall: 37 x 25.3 cm (14 9/16 x 9 15/16 in.)
Credit Line
Public Domain
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Location
Not on view
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Did You Know?

The gray antelope in the foreground is called a nilgai and is the largest antelope in Asia.

Description

The Mughals used trained cheetahs, such as this one wearing a red collar, to capture prey during hunting expeditions in the wilderness. The metaphor of the hunt was also a potent image in Persian literature, in which the protagonist finally achieves a desired goal. The central image of the cheetah catching the black buck—a frequently repeated visual trope—resonates with the desire of Prince Salim (who was passionate about hunting) to capture the throne of the Mughal Empire from Akbar, his father. Between 1600 and 1605, when Prince Salim set up his own royal court in defiance of his father, he convinced some imperial artists to join him. The young Govardhan, a Hindu who would go on to achieve high stature in the atelier of the next two emperors, was one of them.
A vertically oriented gum tempera and gold painting depicts a hunt in a verdant, hilly landscape. Three men with medium skin tones in tunics and turbans occupy the periphery. At our left, one holds a staff, while another at our right raises a whip. Near the center, a collared cheetah pounces on a dark antelope. Below, a gray buck and spotted deer gallop across the foreground. Hazy, purple-hued rocky hills rise behind.

Antelope and deer hunt

c. 1602–4

Govardhan

(Indian, active c.1596–1645)
Mughal India, Allahabad, made for Prince Salim (1569–1627)

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