Artwork Page for The Ecstasy of Mary Magdalene

Details / Information for The Ecstasy of Mary Magdalene

The Ecstasy of Mary Magdalene

1501–4
(German, 1471–1528)
Medium
woodcut
Credit Line
Catalogue raisonné
Meder 237
Public Domain
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Location
Not on view

Description

Dürer’s woodcut of Mary Magdalene represents a popular subject in German art and is considered a schlechtes Holzwerk, a simple woodcut intended for a general audience. According to a medieval book of saints’ lives known as the Golden Legend, Mary Magdalene spent the last 30 years of her life as a hermit outside of Marseilles, France, where she was miraculously borne aloft to heaven seven times a day to hear the choir of angels. Considered a fallen woman in her early life, Mary earned redemption through her complete devotion to Christ. During this period, Dürer was preoccupied with the laws of human proportion and the female figure. Mary Magdalene’s powerful legs and widened hips are comparable to the female nudes in Dürer’s The Dream of the Doctor and Adam and Eve.
A vertically oriented woodcut in dense black-inked fine lines depicts Mary Magdalene, a woman with light skin tone and long hair, lifted by six winged child figures. Facing forward with hands in prayer, her hair veils her body while a circular halo radiates behind her head. Below on our left, a robed man watches from a rocky landscape overlooking a coastline and distant mountains. A monogram sits at the bottom center.

The Ecstasy of Mary Magdalene

1501–4

Albrecht Dürer

(German, 1471–1528)
England, early 16th Century

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