Artwork Page for Saint Barbara

Details / Information for Saint Barbara

Saint Barbara

c. 1520

Master of the Holy Blood

(Netherlandish)
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Culture
Flanders, Bruges
Medium
tempera on wood panel
Measurements
Framed: 91 x 34.5 x 5.5 cm (35 13/16 x 13 9/16 x 2 3/16 in.); Unframed: 86.3 x 29.2 cm (34 x 11 1/2 in.)
Credit Line
Bequest of John L. Severance 1942.633.2
Public Domain
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Location
112 Northern Renaissance
Print

Description

Saint Barbara holds both a book and a ring symbolizing her scholarly pursuits and union with God. According to legend, the leather thongs with which she was beaten were transformed into peacock plumes. This painting and one other in the collection (1942.633.1) were originally the wings of an altarpiece flanking a central panel, now lost, that may have depicted the Holy Family. The identity of this artist is unknown, but he is named for a painting in the Chapel of the Holy Blood in Bruges.

Bruges flourished as an international commercial center through the 1400s and early 1500s. Among its residents were many foreign merchants and bankers who, along with the Burgundian court, patronized artists and attracted specialized craftsmen such as furriers, hatters, jewelers, and goldsmiths. Bruges’s artistic production in the 1400s included celebrated artists like Jan van Eyck, Petrus Christus, Hans Memling, and Gerard David who painted large altarpieces, small panels for private devotion, and portraits. Bruges also remained an important center for the production of illuminated manuscripts.
A vertically oriented tempera painting depicts a woman from the waist up, turned to our right with her eyes looking down at a gold ring. She has light skin tone and wears a blue and gold bodice with large pink sleeves. Her brown hair is tucked into a patterned gold cap. She holds a peacock feather and ring. A leafy forest stands to our left, and a red column rises to our right.

Saint Barbara

c. 1520

Master of the Holy Blood

(Netherlandish)
Flanders, Bruges

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