Artwork Page for A Young Man with a Chain

Details / Information for A Young Man with a Chain

A Young Man with a Chain

c. 1629 or 1632
(Dutch, 1606–1669)

and Studio

Measurements
Framed: 83.8 x 69.9 x 12.7 cm (33 x 27 1/2 x 5 in.); Unframed: 57.8 x 43.8 cm (22 3/4 x 17 1/4 in.)
Credit Line
Public Domain
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Did You Know?

Once identified as Rembrandt himself, the sitter is now considered an anonymous study of human character.

Description

This painting is an example of a tronie, a Dutch word meaning “head” or “facial expression.” Tronies were not intended to be identifiable portraits, but artistic investigations of facial appearance and fanciful costume. Particularly in the years around 1630, Rembrandt used this popular format to explore different lighting effects and facial expressions. Here, the strong contrast of light and shade shapes the contours of the young man’s face; unusual accessories such as the striped scarf and glittering pendant on a jeweled chain add an exotic touch. Although this painting bears Rembrandt’s monogram, the authorship is not certain. Some scholars have attributed it to Isaac de Joudreville (1613–1648), a pupil and associate of Rembrandt who painted comparable tronies in a similarly smooth and elegant style.
A vertically oriented, oval oil painting depicts a young man with light skin tone turned slightly to our right. He looks at us, with voluminous, curly reddish-brown hair. He wears a dark, textured garment with a high, wrapped collar and a gold chain with ornate links and a large pendant. Light from our left illuminates his face, while the other side and background are lost in deep, dark shadow.

A Young Man with a Chain

c. 1629 or 1632

Rembrandt van Rijn, Studio

(Dutch, 1606–1669)
Netherlands

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