Artwork Page for An Old Man Standing

Details / Information for An Old Man Standing

An Old Man Standing

1725
(Italian, 1680–1757)
Catalogue raisonné
Bartsch XII.184.60; Le Blanc IV.260.60
Public Domain
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Location
Not on view

Description

A native of Venice, artist, and collector, Zanetti also acted as an agent, arranging sales and commissions since he knew both the leading artists and the most influential patrons. In 1720, while visiting England, Zanetti acquired a group of 130 drawings executed by Parmigianino, many of which were initially done as models for chiaroscuro woodcuts. Zanetti made his own chiaroscuros after these sheets, helping to revive the medium in the 18th century. Since Zanetti was primarily a copyist, his originality is found not so much in his compositions as in his technique. Previously, chiaroscuro printmakers had used several shades of a single subdued color to imitate the effect of wash in monochromatic drawings. Zanetti, however, experimented with using different colors within a single print and, influenced by the rococo paintings of his day, chose contrasting bright pastels.
A vertically oriented chiaroscuro woodcut print on tan paper depicts an older man with light skin tone, windblown hair, and a long beard, seen from behind. Shaded with blocks of muted sage green and cream, and draped in voluminous robes, he faces and looks to our right while holding an open book. A cloud outline floats above him. In the bottom right corner is a monogram and the date 1725.

An Old Man Standing

1725

Antonio Maria I Zanetti

(Italian, 1680–1757)
Italy, 18th century

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