Artwork Page for Saint John the Baptist

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Saint John the Baptist

c. 1475–85

circle of Dieric Bouts

(Netherlandish, 1415–1475)
Measurements
Framed: 126.1 x 88.3 x 7.6 cm (49 5/8 x 34 3/4 x 3 in.); Unframed: 102.8 x 65.5 cm (40 1/2 x 25 13/16 in.)
Credit Line
Public Domain
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Did You Know?

Paintings like this one that are designed to trick the eye are known as trompe-l'œil.

Description

This panel once formed part of an altarpiece painted for the Church of Saint Laurentius in Cologne. It originally comprised the reverse of the arrest of Christ, now in the Alte Pinakothek in Munich. Another grisaille panel representing Saint John the Evangelist, also in Munich, formed the exterior of the resurrection. The grisaille technique was a monochromatic method utilizing various shades of gray, often in imitation of sculpture, as is the case here. The illusionistic effect suggests a sculpture not set back in a niche, but clearly separated from it to enhance the three-dimensional appearance. Dieric Bouts was born in Haarlem in Holland, but was mainly active in Leuven in the South Netherlands where he was the city painter from 1468. This painting appears to be the work of a close follower.
A vertically oriented oil painting in shades of gray depicts Saint John the Baptist as a stone sculpture. Standing upon a hexagonal base within a recessed niche, he has a light skin tone, wavy hair, and a full beard. Draped in heavily folded robes, he faces our right, pointing his right hand toward a lamb resting atop a book held in his left. Light from our left casts a shadow behind him.

Saint John the Baptist

c. 1475–85

Dieric Bouts

(Netherlandish, 1415–1475)
Netherlands, Leuven, 15th century

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