Artwork Page for The Submersion of Pharaoh's Army in the Red Sea

Details / Information for The Submersion of Pharaoh's Army in the Red Sea

The Submersion of Pharaoh's Army in the Red Sea

1514–15, printed 1549
(Italian, c. 1488–1576)
publisher
(Italian, 1503–1603)
Medium
woodcut
Measurements
Unframed: 40 x 55 cm (15 3/4 x 21 5/8 in.)
Credit Line
Catalogue raisonné
Mauroner 24
Public Domain
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Location
Not on view

Description

To make this monumental woodcut—considered one of the most ambitious prints of the Renaissance—Titian probably drew directly on the wooden blocks, after which a skilled cutter completed the blocks. The size rivals that of a painting, and the composition would have hung on a wall. Titian’s bold vision presents nature as a vehicle of God’s mercy and wrath. Moses, at right, having parted the seas for the Israelites to pass, commands them to close over the Egyptian forces (Exodus 14:21–31). Titian propelled the narrative with remarkable unity, dedicating entire blocks to the turbulent sea and rolling clouds that culminate in a magnificent cliff and Renaissance city. Some have interpreted the scene as an allegory of Venice’s troubles with the League of Cambrai, a military alliance that threatened the island city.
A horizontally oriented print in black ink depicts a wave of water in the upper two-thirds, rising to a peak in the upper right diagonal. Wavy lines cut above this peak, below becoming dense and intersecting in cross-hatches. Primarily vertical lines create buildings in the lower third, a tallest, circular structure rising in the center left. Two tendrils wave like ribbons to its left. In the lower right, a gap emerges between the buildings and water's hatching.

The Submersion of Pharaoh's Army in the Red Sea

1514–15, printed 1549

Titian, Domenico dalle Greche

(Italian, c. 1488–1576), (Italian, 1503–1603)
Italy, Venice

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