Artwork Page for The Submersion of Pharaoh's Army in the Red Sea

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The Submersion of Pharaoh's Army in the Red Sea

1514–15, printed 1549
(Italian, c. 1488–1576)
publisher
(Italian, 1503–1603)
Medium
woodcut
Measurements
Unframed: 41.6 x 55.3 cm (16 3/8 x 21 3/4 in.)
Credit Line
Catalogue raisonné
Mauroner 24
Public Domain
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Location
Not on view

Description

To make this monumental woodcut—considered one of the most ambitious prints of the Renaissance—Titian probably drew directly on the wooden blocks, after which a skilled cutter completed the blocks. The size rivals that of a painting, and the composition would have hung on a wall. Titian’s bold vision presents nature as a vehicle of God’s mercy and wrath. Moses, at right, having parted the seas for the Israelites to pass, commands them to close over the Egyptian forces (Exodus 14:21–31). Titian propelled the narrative with remarkable unity, dedicating entire blocks to the turbulent sea and rolling clouds that culminate in a magnificent cliff and Renaissance city. Some have interpreted the scene as an allegory of Venice’s troubles with the League of Cambrai, a military alliance that threatened the island city.
A horizontally oriented woodcut in black ink depicts massive, swirling clouds filling the upper two-thirds of the composition. Dense, curving lines create a textured, heavy mass above a low skyline in the lower third. A prominent pointed steeple rises in the center left among several thin spires and buildings. To the right, jagged peaks form a mountain range. Parallel horizontal lines span the middle ground behind the city.

The Submersion of Pharaoh's Army in the Red Sea

1514–15, printed 1549

Titian, Domenico dalle Greche

(Italian, c. 1488–1576), (Italian, 1503–1603)
Italy, Venice

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