Artwork Page for The Apocalypse: Duvet Studying the Apocalypse

Details / Information for The Apocalypse: Duvet Studying the Apocalypse

The Apocalypse: Duvet Studying the Apocalypse

1555
(French, 1485–1561)
Medium
engraving
Credit Line
Catalogue raisonné
Not in Eisler, Popham 27
Public Domain
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Location
Not on view

Description

This print is part of a bound volume of works illustrating the a narrative of the Apocalypse, taken from the Revelation of Saint John in the Bible. The 23 engravings in the series occupied the artist for a number of years and represent his greatest artistic achievement. The museum's volume is one of only seven known complete sets. Jean Duvet was one of the first major printmakers in France and one of the most original artists of the 1500s. Although he worked mostly in the provincial city of Langres, he became aware of Italian art through the circulation of prints—notably those of Marcantonio Raimondi. His solidly modeled human figures reflect the influence of the Italian High Renaissance. Duvet, however, developed an idiosyncratic, highly artificial style with crowded compositions that ignore rational space in favor of ornamental surface patterns.
A vertically oriented print in black ink depicts an arched scene with a bearded man seated on the left writing at a desk. Below him, two animals lie beside a Latin inscription. To our right, a swan with a patterned collar floats near an inscribed stone. Above, three figures navigate a crescent boat through clouds while a dense cityscape with many towers fills the background.

The Apocalypse: Duvet Studying the Apocalypse

1555

Jean Duvet

(French, 1485–1561)
France, 16th century

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