Artwork Page for The Apocalypse: An Innumerable Multitude Which Stand before the Throne

Details / Information for The Apocalypse: An Innumerable Multitude Which Stand before the Throne

The Apocalypse: An Innumerable Multitude Which Stand before the Throne

1546–1556
(French, 1485–1561)
Medium
engraving
Credit Line
Catalogue raisonné
Eisler 45
Public Domain
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Location
Not on view

Description

This print is part of a bound volume of works illustrating the a narrative of the Apocalypse, taken from the Revelation of Saint John in the Bible. The 23 engravings in the series occupied the artist for a number of years and represent his greatest artistic achievement. The museum's volume is one of only seven known complete sets. Jean Duvet was one of the first major printmakers in France and one of the most original artists of the 1500s. Although he worked mostly in the provincial city of Langres, he became aware of Italian art through the circulation of prints—notably those of Marcantonio Raimondi. His solidly modeled human figures reflect the influence of the Italian High Renaissance. Duvet, however, developed an idiosyncratic, highly artificial style with crowded compositions that ignore rational space in favor of ornamental surface patterns.
A vertically oriented black ink engraving with an arched top depicts celestial figures in dense hatching. At the top, two men sit on a throne beneath a hovering dove, one holding a tall cross. Below, a winged figure stands amidst a crowded, crowned assembly. In the foreground, two men kneel on clouds, overlooking a miniature city with arched architecture. Latin inscriptions appear on tablets in the lower corners.

The Apocalypse: An Innumerable Multitude Which Stand before the Throne

1546–1556

Jean Duvet

(French, 1485–1561)
France, 16th century

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