Artwork Page for The Apocalypse: Babylon the Harlot, Seated on the Seven-headed Beast

Details / Information for The Apocalypse: Babylon the Harlot, Seated on the Seven-headed Beast

The Apocalypse: Babylon the Harlot, Seated on the Seven-headed Beast

1546–1556
(French, 1485–1561)
Medium
engraving
Credit Line
Catalogue raisonné
Eisler 55
Public Domain
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Location
Not on view

Description

This print is part of a bound volume of works illustrating the a narrative of the Apocalypse, taken from the Revelation of Saint John in the Bible. The 23 engravings in the series occupied the artist for a number of years and represent his greatest artistic achievement. The museum's volume is one of only seven known complete sets. Jean Duvet was one of the first major printmakers in France and one of the most original artists of the 1500s. Although he worked mostly in the provincial city of Langres, he became aware of Italian art through the circulation of prints—notably those of Marcantonio Raimondi. His solidly modeled human figures reflect the influence of the Italian High Renaissance. Duvet, however, developed an idiosyncratic, highly artificial style with crowded compositions that ignore rational space in favor of ornamental surface patterns.
A vertically oriented engraving in black ink depicts a woman with light skin tone seated on a seven-headed beast. She holds a chalice, facing a crowd of crowned and armored men at the right. Above, two winged figures dive through clouds over a city. A plaque at the left is inscribed "HIST CAP 17 ET 18 APOC." Densely packed figures and writhing serpents fill the scene, framed by an arched top.

The Apocalypse: Babylon the Harlot, Seated on the Seven-headed Beast

1546–1556

Jean Duvet

(French, 1485–1561)
France, 16th century

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