Artwork Page for The Apocalypse: St. John on the Island of Patmos

Details / Information for The Apocalypse: St. John on the Island of Patmos

The Apocalypse: St. John on the Island of Patmos

1546–1556
(French, 1485–1561)
Medium
engraving
Credit Line
Catalogue raisonné
Not in Eisler, Popham 50
Public Domain
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Location
Not on view

Description

This print is part of a bound volume of works illustrating the a narrative of the Apocalypse, taken from the Revelation of Saint John in the Bible. The 23 engravings in the series occupied the artist for a number of years and represent his greatest artistic achievement. The museum's volume is one of only seven known complete sets. Jean Duvet was one of the first major printmakers in France and one of the most original artists of the 1500s. Although he worked mostly in the provincial city of Langres, he became aware of Italian art through the circulation of prints—notably those of Marcantonio Raimondi. His solidly modeled human figures reflect the influence of the Italian High Renaissance. Duvet, however, developed an idiosyncratic, highly artificial style with crowded compositions that ignore rational space in favor of ornamental surface patterns.
A vertically oriented engraving with an arched top depicts a crowded scene at center, where a man sits writing in a book, feet atop a multi-headed dragon in a pit. Behind him, a large eagle spreads its wings while three figures hold an open book in clouds above. To our left, a lion, ox, and winged figure cluster. Tall statues and columns frame the composition, which includes text panels in the bottom corners.

The Apocalypse: St. John on the Island of Patmos

1546–1556

Jean Duvet

(French, 1485–1561)
France, 16th century

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